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Frank Vincent DuMond Sketch of Table Rock near Medford, 1911
Third floor, Main Building, Hoffman wing
Homer Dodge Martin Upper Ausable Lake, 1897
Second Floor, Main Building
Childe Hassam Mount Hood, 1908
Second Floor, Main Building
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With Brian Ferriso The Marilyn H. and Dr. Robert B. Pamplin, Jr. Director
Escaping to the Landscape
Prior to becoming a museum director, I spent a number of years as a painter studying with artist Frank Mason (1921-2009) of the Arts Students League in New York. During the summer, when I was not working on figurative studies, I was a plein air painter working in rural Vermont and New Jersey, capturing the sunrises, interiors, and sunsets of an idealized landscape defined by the lyrical rhythms and diverse colors of the geography. Time stood still during the uninterrupted hours I spent outdoors. In addition to the smell of oil paint, turpentine, and varnish, there was always a strong visceral sense of an incoming or passing storm, and the scent of grass, wheat, trees, animals, and soil, implanting a vivid and long-lasting memory of the moment. These indelible moments continue to resonate with me today whenever I enter a museum, drawing me immediately toward the landscape paintings in the galleries.
For this issue of Portal, I am pleased to highlight several of the Museum’s iconic paintings that trigger my senses and affirm my inherent love of art and the landscape. I hope you enjoy this visual journey through pastoral France, Italy, upstate New York, and Oregon as much as I do.

George Inness Castel Gandolfo, 1876
Second Floor, Main Building
Jean-Baptiste-Camille Corot The Ponds of Ville d’Avray, 1867
Second Floor, Main Building
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